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Speed Demon
Joined: 25 Mar 2005 Posts: 15 Location: UK, Burnham
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Posted: Fri Sep 09, 2005 6:44 pm Post subject: |
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He (you?) sounds really cool, but I can't get to those lessons, they're in a ".rar" format and I have no clue what those are. Please help me, I'm dying to see them. _________________ There is no moral to the story, it's just a bunch of stuff that happens. |
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seaweed
Joined: 27 Sep 2004 Posts: 19 Location: Melbourne Australia
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Speed Demon
Joined: 25 Mar 2005 Posts: 15 Location: UK, Burnham
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Posted: Sat Sep 10, 2005 12:57 pm Post subject: |
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Thanks. _________________ There is no moral to the story, it's just a bunch of stuff that happens. |
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zhivago
Joined: 10 Oct 2005 Posts: 3
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Posted: Mon Oct 10, 2005 2:09 am Post subject: |
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Have you already seen Scott Henderson's "Jazz Fusion" video? |
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Speed Demon
Joined: 25 Mar 2005 Posts: 15 Location: UK, Burnham
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Posted: Sun Oct 16, 2005 9:29 am Post subject: |
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zhivago wrote: | Have you already seen Scott Henderson's "Jazz Fusion" video? |
I haven't. Is it any good in terms of helping with fusiony type improvisation? _________________ There is no moral to the story, it's just a bunch of stuff that happens. |
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Venza_fire
Joined: 03 Sep 2005 Posts: 7
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Bee Pee
Joined: 19 Aug 2006 Posts: 2
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Posted: Sat Aug 19, 2006 7:06 am Post subject: |
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I realy like the "pentatonic" substition ideas!!
here's a pretty basic one that doesn't take a lot of theory.called targeting.
if you are playing 8ths,16th,32's or..... 16,384ths
1.play 3 notes 4th one is the target note (chord tone,scale tone..)
2.notes have to be within a 3 frets distance(step and a half) from the target note.
example
A 7th riff(A-C#-E-G) ...4th to 1st string 1 finger per fret...
F#-G-G#-A
D-B-C-C#
F#-F-D#-E
Bb-A-Ab-G
On this the "real " target is the "G" because I would hold that note... but the other notes lead to it by outlinig the A7th chord.Since it's basically a pattern.there are endless combinations and phrasings to play with it.
A good way to get these under your fingers is to practice every combination of 1-2-3-4...then just superimpose over chord shapes and voila!!!......okay maybe a little (LOT!!) more..
Targeting frees you up from thinking scale patterns...of course you can use any rythmic group to accomplish the same thing.Definetly the most "common" denominator I hear for the out sound used in dixieland, swing, Bop to fusion....
BP |
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