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Erotic Cakes solos

 
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Wed Sep 06, 2006 1:15 am    Post subject: Erotic Cakes solos Reply with quote

has anyone tabbed out the solos in the song Erotic Cakes? if not i guess i'll give it a shot.
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Mon Sep 11, 2006 10:33 pm    Post subject: Reply with quote

you guys make me do everything!

Heres my shot at it...ill post the powertab file if someone tells me where i can host it.
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Vai_disciple



Joined: 10 Jul 2005
Posts: 7
Location: Mirfield, West Yorkshire, UK

PostPosted: Tue Sep 12, 2006 7:23 pm    Post subject: Reply with quote

You can host for free at Rapidshare or Yousendit. excellent transription btw.
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"My advice to aspiring guitarists? Wear sunblock and use a condom!"- Steve Vai
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Tue Sep 12, 2006 11:34 pm    Post subject: Reply with quote

alright, here it is. I'm not sure about the bassline...I cant figure out how to make the first measure sound right. Then again maybe I've just listened to it 1000 times and it sounds wrong to me.

Also in the image i posted, there should be a tie from the last note in the 2nd measure to the first note in the 3rd. But that has been fixed in the powertab.

Enjoy
http://rapidshare.de/files/32914478/erotic_cakes.ptb.html
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carnflab



Joined: 26 Dec 2004
Posts: 63

PostPosted: Tue Sep 12, 2006 11:57 pm    Post subject: Reply with quote

buy the album

this is the demo version lol

good tab though
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Wed Sep 13, 2006 12:19 am    Post subject: Reply with quote

i didnt get it yet! but i plan to.

edit-
ok. just ordered it so i dont forget again.
maybe ill have to tab out that version too
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Errock



Joined: 08 Sep 2005
Posts: 22

PostPosted: Wed Sep 13, 2006 11:33 am    Post subject: Reply with quote

haha very nice tab
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carnflab



Joined: 26 Dec 2004
Posts: 63

PostPosted: Sat Sep 16, 2006 4:20 am    Post subject: Reply with quote

does anyone have any tips of soloing over these changes, or can anyone analyse what scales guthries using here?

im not sure what notes to use.
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Wed Sep 20, 2006 6:34 am    Post subject: Reply with quote

thats a really good question...hmm
anyone know?
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thelordofcheesecake



Joined: 30 Aug 2005
Posts: 95

PostPosted: Wed Sep 20, 2006 9:39 pm    Post subject: Reply with quote

carnflab wrote:
does anyone have any tips of soloing over these changes, or can anyone analyse what scales guthries using here?

im not sure what notes to use.


Mostly looks like the relevant lydian scale over the maj7(#11) chords, and dorian over the m9 - with chromatic notes here and there.
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Thu Sep 21, 2006 8:02 pm    Post subject: Reply with quote

awesome. im curious as to how you figured that out because im trying to learn some more music theory
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art



Joined: 19 Apr 2005
Posts: 69

PostPosted: Thu Sep 21, 2006 10:35 pm    Post subject: Reply with quote

shapiro wrote:
awesome. im curious as to how you figured that out because im trying to learn some more music theory


Well a Maj7#11 (or +11 however you want to write it) is pretty indicative of the Lydian scale.
The Maj7#11 contains the intervals:
1 3 5 7 9 #11 (the #11 is the same as the #4)
The Lydian Scale contains the intervals:
1 2 3 #4 5 6 7

You could sharpen or flatten the 2 or 6 and come up with another scale.

Using the same practice the min9 chord contains 1 b3 5 b7 9 (2)
There are a lot of scales that would fit these notes (three within the major modes).

Shapiro if you are just starting to learn music theory I recommend Guthrie's first book (Creative Guitar 1) as it has a guitarist orientated introduction to theory.
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shapiro



Joined: 11 Jul 2006
Posts: 46

PostPosted: Fri Sep 22, 2006 6:59 pm    Post subject: Reply with quote

Ahaaaa
Alright, thanks for explaining that for me. I wouldnt say I am completely new to music theory, but i am definitely just getting the hang of modes.

So correct me if I'm wrong,
Since min9 has
1 2 b3 5 b7
You need a scale that contains all those (a minor one)
So could you use natural minor, minor pentatonic, or dorian, since phrygian and lydian have a b2? And then the question is which one do you choose?

if guthries book talks about all of this then I think i will get it, I am really looking for a good way to learn all of this stuff and get more comfortable with it.
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art



Joined: 19 Apr 2005
Posts: 69

PostPosted: Fri Sep 22, 2006 11:53 pm    Post subject: Reply with quote

I fucked up a bit sorry, I said there were three in the Major modes, there aren't- I forgot about the 9. (Frankus probably saw my previous post, tutted and muttered 'noob' Laughing )

For major modes you could use Aeolian (minor) or dorian. As you mentioned you could strip away some notes and use the m.pentatonic.
With a chord like a min9 it's very common to use the additional notes from a whole bunch of scales, e.g. using the natural and flat 6ths, the flat 5th (blues scale).

Really its more like 'the notes that are really strong and you should include are the notes of the chord, use whatever the fuck else you like Smile
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