you mentioned having a problem typing the keyboard at high speed,
well fear not my friend.
just for this occasion i have concocted a couple of questions
JUST for you
( btw, you might want turning your metronome on, at about 180 bpm)
1) Do you think there is a chance you might replace sammy hager
as a lead vocalist in "VAN-HALEN"?
(i always wanted to know what people think about alex van halen's
drum playing)
2) Did you know SHAWN LANE personally?
3) Do you know DERRYL GABEL?
4) Do you think GEORGE BUSH likes BLAIR 'cause of his guitar playing,
and if so do u expect a new band with BUSH as a drummer?
5) Any chance BLAIR replacing you in "ASIA"?
6) Any chance "ASIA" will be performing in IRAQ anytime
soon?
7) Don't you just love these EMOTICONS?
I guess it is time to turn it up a notch (220 bmp)
I remember emailing DAVE K. once, asking about a certain problem
i had / still have.
The biggest problem for me when tackling a new transcription is not
the tenchnique but rather learning it by heart.
Could you advise me about this problem ?
9) Be honest , did u ever play "AIR GUITAR" infront of the mirror and
thought u looked cool?
10) Does eating guitar picks make u stronger?
I think this should do it for this "TYPING TECHNIQUE" issue
see you soon.
I guess this exercise should take you a couple of hours ,
so don't rush it "remember speed is merely a byproduct of accuracy"
PEACE AND LOVE FROM THE HOLY LAND
(AKA A FROMER BRITISH COLONY AKA ISRAEL)
guthrie, thank you very much for dropping in and answering that bold question! it's good to know that you also have a sense of humor!
my next question is: will you tour to support your solo album? will you play in az? at least in phoenxi if not tempe? i'll drive up to phoenix, which is a good 100 miles or so away. best of wishes on the release of your first album! you must be excited as we all are!
I was curious if you'd seen the Guitar Techniques Forum poll on one of your tunes: here
And if you'd been approached about transcribing it, and what your feelings were about the request. _________________ Fabulous powers were revealed to me the day I held my magic Suhr(d) aloft and said "by the power of great scale!"
Scott rocks. Last time I was in LA, a noble fellow by the name of Ari (the bass player in 40Deuce, Richie Kotzen's "I don't want to play any guitar" side-project) took me on a little guided tour of GIT, and I caught a glimpse of Scott doing an informal workshop on the subject of Albert King. It was really inspiring to see one of my favorite players getting all dewy-eyed and emotional about one of HIS favorite players...
kirk95 wrote:
What are your favorite Coltrane solos? What did you learn from transcribing his work. BTW, I am a huge Trane fan!!
Actually, the main thing I remember about all that was being a little disillusioned when I worked out what he was doing in "Giant Steps". I didn't think such a revered improviser would have so many premeditated licks, or repeat himself quite so much. Back when I was 16, I assumed that it was OK for the Yngwies of the world to follow that approach, but that jazzers were meant to follow the "Man, I just play what I feel" philosophy. (Also, it struck me that the piano player would have been a lot happier if he'd had as much time to get used to those changes as John clearly did. Sounds like he really got dropped in at the deep end there!) Looking at it now, it's a lot clearer to me that that's just the nature of the tune; partly music, partly circus trick. To maintain that level of energy over such rapid and bizarre changes, I guess everyone needs to "cheat" a little bit. Anyway, we all cheat a little bit, don't we - whether we realise/admit it or not?
Personally, though, I get more enjoyment out of hearing something like "Blue Trane", or indeed the later, more "spiritual" stuff...
kirk95 wrote:
How do you become so proficient in so many different styles?
That one seems to be cropping up a lot, and you know it never seemed like a big deal to me, really...
Short answer; by listening to them all - ultimately, it's all just music, isn't it?
Maybe we need to ask Brent Mason about that stuff
kirk95 wrote:
If you are not practicing with a metronome, what's the secret to developing such accuracy and speed?
To me, the metronome is something of a one-trick pony; all it can really do is stay in time. Something like a Steely Dan album is every bit as in time (maybe even moreso ) but it also boasts such qualities as groove and harmony - so I've always preferred to jam along with records... Not knocking the more disciplined approach, it's just not for me; I like music to be more fun than that, I guess!
In other news... the esteemed editor asked me recently if I'd be up for transcribing "Slippery Thing": I told him I'd be amenable to such a thing. Now I've just got to write the thing out, and I suppose it'll turn up in GT at some point!
Joined: 14 Sep 2004 Posts: 25 Location: A small town in North Wales you've probably never heard of
Posted: Tue Sep 14, 2004 12:23 pm Post subject:
Guthrie wrote:
In other news... the esteemed editor asked me recently if I'd be up for transcribing "Slippery Thing": I told him I'd be amenable to such a thing. Now I've just got to write the thing out, and I suppose it'll turn up in GT at some point!
Yay! Great stuff!
Hi, BTW, I'm another regular on the Future forums, and have been vainly trying to keep up with your Creative Guitar books for about a year (been playing about three years). I'm a student of James Went's - you know him, right?
Here are some questions.
If you could only impart one piece of advice to someone who aspires to having a fraction of your skills on guitar (i.e. being very good), what would that advice be?
Do you have a piece, or a style, or something else, on the guitar, that you like to play more than anything else?
How long, time-wise, did it take you to be satisfied with your playing abilities?
Given that my jaw hits the floor whenever I hear you, or IA Eklundh, or Jimmy Went, or whoever playing, are there people who have this effect on you?
will you tour to support your solo album? will you play in az? at least in phoenxi if not tempe?
Let's hope so. As a random aside, I have a bit of a soft spot for Sedona - anywhere near your neck of the woods?
Greg wrote:
Would you ever do a G3 with Satch and Vai?
You should probably ask Messrs Satch and Vai about that, if only to hear them say, "Guthrie WHO?"
Greg wrote:
Would you consider starting a G3 with Bumblefoot?
Now wouldn't THAT be fun! Had an epic jam with Ron at the NAMM show in Jan, and had the time of my life... I think the highlight for me was when we butchered "I Wish" (probably playing it in two keys at the same time, or some such blasphemy), only to spot Stevie Wonder himself waltzing past the Cornford stand mere minutes later. I think we might have played it differently if we'd known God was in the neighbourhood ...
Greg wrote:
Do you like James Went's playing?
Very much so!
(Just for the record, there's another very capable Welshman on this board, going by the name of wrighty-boyo. Do they know each other, I wonder? )
isaac wrote:
ISACC
Thankyou for your efforts to enhance my typing prowess -speed may well be a by-product of accuracy, but sadly it doesn't seem to work the other way round (As far as I can gather, the most notable by-products of speed are black teeth and an unpredictable temperament...)
isaac wrote:
1) Do you think there is a chance you might replace sammy hager as a lead vocalist in "VAN-HALEN"?
(i always wanted to know what people think about alex van halen's drum playing)
2) Did you know SHAWN LANE personally?
3) Do you know DERRYL GABEL?
1) Very doubtful. Alex Van Halen, however, is a splendid and very distinctive drummer imho
2) That would have been wonderful but, alas, no - it never happened. One of the Varneys once mentioned that Shawn had heard some of my stuff and managed to find something nice to say about it, which touched me very deeply - at the risk of stating the obvious, Shawn was an incredibly accomplished and intelligent musician, not to mention a big inspiration.
3) Indeed - I've known Derryl for donkey's years. Fine player, ludicrous legato chops, not scared of jazz chords - I wish he'd sign up here and field some of those technique questions!
isaac wrote:
4) Do you think GEORGE BUSH likes BLAIR 'cause of his guitar playing,and if so do u expect a new band with BUSH as a drummer?
5) Any chance BLAIR replacing you in "ASIA"?
6) Any chance "ASIA" will be performing in IRAQ anytime soon?
7) Don't you just love these EMOTICONS?
4) I can see some logic in the notion that, of all the instruments out there, Mr Bush might feel drawn towards the one where you get to batter things with sticks... sorry, wrong meeting
5) Not unless the money goes up!
6) Now THERE'S a place that could really do with some good gigs right now. Just for the record, I think Michael Franti (articulate and philosophical rap fellow from Spearhead) recently played there...
7)
isaac wrote:
The biggest problem for me when tackling a new transcription is not
the tenchnique but rather learning it by heart.
Could you advise me about this problem ?
Maybe Lewis Carroll can help; he once wrote "Take care of the sense and the sounds will take care of themselves". It was meant as a pun on the old adage about "pounds" and "pence" (UK currency) but it kind of works - I find it helps if your head knows roughly how the track goes before your fingers get involved...
isaac wrote:
9) Be honest , did u ever play "AIR GUITAR" infront of the mirror and
thought u looked cool?
10) Does eating guitar picks make u stronger?
9) Never felt the need - I have a real guitar, made of wood.
10) Eating Brian May's picks would make you richer, I guess - does that count?
Other Forum Folks wrote:
all sorts of stuff
Sorry, dudes and dudettes - more later; GT magazine are waiting for my Whitesnake pastiche...
I think you and Bumblefoot should start a G3 with each other, he said he'd love to _________________ Guthrie Govan
Matthias IA Eklundh
Rusty Cooley
Steve Vai
Tom Morello
Michael Angelo
Yngwie Malmsteen
Buckethead
Joined: 14 Sep 2004 Posts: 1 Location: Scotland, UK
Posted: Tue Sep 14, 2004 4:08 pm Post subject:
Hi Guthrie, How's things? Hope all well!
Just wondering, everyone here really admires, aspires to be really half the player you are, well rounded in everything with a really modest approach and down to earth explanation of the things you do and quite rightly so IMO!
Just wondering who are the players that still really move you??
What do you listen to really just chill out and get away from "guitar based" music?
And, is there anything really, technically or otherwise that frustrates you when you can't play? Do you ever have "off days"? hehe. Are you really happy with your playing, do you still try to better yourself, keep on learning new techniques, tricks, sounds etc etc, or are you happy with everything and just let the music flow now??
Just wondering, thanx in advance.
mARk
p.s On your first post when you talked about rattling through scales at warp speed with a metronome was like, then you typed the alphabet.........hehehe you typed it wrong.... Sorreeeeee!!
mARk _________________ Eagles may fly high, but weasels don't get sucked into jet engines!!
have you ever thought about releasing another instructional book? maybe one that focuses more on the jazz or fusion side of playing....I would love to see your fresh take on that subject.
I love your two instructional books......great licks...as well as a real fun, informative read.
I consider you at the forefront of a wave of astonishingly talented, fairly young, rock/fusion guitarists, a group I'd consider to include guys like Rich Hallebeek, Joel Rivard, Antti Kotikoski, Scott Jones et al. Anyway are there any of these, or similar, players that you particularly rate, or other players "bubbling under" that you reckon a fan of this stuff should keep an eye out for?
Hey Guthrie I have a question, don't you hate us for asking all these questions?!!
No seriously though it is alot of questions to answer. _________________ Guthrie Govan
Matthias IA Eklundh
Rusty Cooley
Steve Vai
Tom Morello
Michael Angelo
Yngwie Malmsteen
Buckethead
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